{"id":100,"date":"2022-06-07T22:34:15","date_gmt":"2022-06-07T13:34:15","guid":{"rendered":"http:\/\/qulacoza.net\/?page_id=100"},"modified":"2025-10-20T15:09:03","modified_gmt":"2025-10-20T06:09:03","slug":"archive","status":"publish","type":"page","link":"https:\/\/qulacoza.net\/?page_id=100","title":{"rendered":"Archive"},"content":{"rendered":"\n
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*\u4e16\u754c\u521d\u6f14
**\u65e5\u672c\u521d\u6f14
***\u6539\u8a02\u521d\u6f14<\/p>\n\n\n\n

Regular Concerts<\/h4>\n\n\n\n
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vol.1<\/strong>
2013\u5e742\u670823\u65e516:00
\u30b9\u30bf\u30b8\u30aa\u30fb\u30cf\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

N. \u30ab\u30b9\u30c6\u30a3\u30ea\u30aa\u30fc\u30cb\u300a\u300c \u7f8e\u3057\u3044\u30f4\u30a7\u30ec\u30fc\u30ca\u300d\u306e\u305f\u3081\u306e 11 \u306e\u821e\u66f2\u300b(violin, piano)
J.M. \u30ae\u30af\u30b9\u300a3 \u3064\u306e\u4ff3\u53e5\u300b(violoncello, piano)
N. \u30b5\u30fc\u30cb \u300a\u30a2\u30d6\u30b9\u30c8\u30e9\u30af\u30c8II\u300b*(violin, violoncello)
M. \u30ab\u30fc\u30b2\u30eb\u300a \u30af\u30e9\u30f3\u30b0\u30f4\u30a7\u30eb\u30d5\u30a7\u300b(violin, piano)
\u6728\u4e0b\u6b63\u9053 \u300a\u663c\u306e\u4e2d\u306e\u7720\u308a\u306e\u7fa4\u5cf6I\u300b(violin, violoncello, piano)

Niccolo Castiglioni : Undici danze per la bella Verena<\/em>, per violino e pianoforte (1996)
Josep Maria Guix : Tres Haikus,<\/em> per a cello i piano (2009)
Nicola Sani : Astratto II<\/em>, per violino e violoncello (2013, WP)
Mauricio Kagel : Klangw\u00f6lfe<\/em> (1978-1979)
Masamichi Kinoshita : Archipel du sommeil dans le jour I<\/em>, for violin, violoncello and piano (2011)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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vol.2\u300c\u30b9\u30c6\u30d5\u30a1\u30ce\u30fb\u30b8\u30a7\u30eb\u30f4\u30a1\u30be\u30fc\u30cb\u3068\u305d\u306e\u5468\u8fba\u300d<\/strong>
2013\u5e7412\u670814\u65e5\uff08\u571f\uff0916:00
\u30b9\u30bf\u30b8\u30aa\u30fb\u30cf\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

N. \u30ab\u30b9\u30c6\u30a3\u30ea\u30aa\u30fc\u30cb\u300a\u300c \u7f8e\u3057\u3044\u30f4\u30a7\u30ec\u30fc\u30ca\u300d\u306e\u305f\u3081\u306e 11 \u306e\u821e\u66f2\u300b(violin, piano)
S. \u30b8\u30a7\u30eb\u30f4\u30a1\u30be\u30fc\u30cb\u300a\u4e8c\u3064\u306e\u58f0\u300b(flute, violin)
\u5742\u7530\u76f4\u6a39 \u300aLuz Indomable\u300b(violoncello, piano)
S. \u30b8\u30a7\u30eb\u30f4\u30a1\u30be\u30fc\u30cb \u300a\u30bd\u30ca\u30c1\u30cd\u30af<\/sub>\u30b9\u30d7\u30ec\u30c3\u30b7\u30f4\u300b(violin, piano)
D. \u30d5\u30a3\u30b4\u30eb\u30b9\uff1d\u30af\u30a8\u30f4\u30a1\u30b9 \u300a\u30a2\u30a4\u30bd\u30f3\u300b*(flute, violin, viola, violoncello, piano)
S. \u30b8\u30a7\u30eb\u30f4\u30a1\u30be\u30fc\u30cb \u300adescdesesasf\u300b**(violin, viola, violoncello)

Niccolo Castiglioni : Undici danze per la bella Verena<\/em> (1996)
Stefano Gervasoni : Due Voci<\/em> (1991,JP)
Naoki Sakata : Luz Indomable<\/em> (2013,WP)
Stefano Gervasoni : SONATiNeXPRESSIVE<\/em> (2011-12,JP)
Daniel F\u00edgols – Cuevas : ISON<\/em> (2013,WP)
Stefano Gervasoni : descdesesasf<\/em> (1995,JP)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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vol.3\u300c\u30c8\u30fc\u30ab\u30a4\u30fb\u30b5\u30c3\u30ad\u30e7\u30af\u30ab\uff01\uff01\u300d<\/strong>
2014\u5e746\u670829\u65e5\uff08\u65e5\uff0914:00\/18:00
\u3055\u304f\u3089\u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5b88\u5c71\u533a\uff09<\/p>\n\n\n\n

\u4eca\u4e95\u667a\u666f\u300a\u30de\u30ec\u30b9\u30c6\u30fc\u30eb\u30fb\u30e9\u30ba\u30e9\u30a4\u30c8\u300b(piccolo, violin, piano)
\u6210\u672c\u7406\u9999 \u300a 987 Plates II\u300b(violin, piano)
\u6589\u6728\u7531\u7f8e \u300a \u5f26\u697d\u4e09\u91cd\u594f\u66f2\u300b(violin, viola, violoncello, conductor)
\u6589\u6728\u7531\u7f8e \u300a\u30a8\u30d4\u30bd\u30fc\u30c9I\u300b(violin, piano)
\u677f\u6d25\u6607\u9f8d \u300a \u30c8\u30ed\u30d4\u30ab\u30eb\u4eba\u5f62\u5287\u300b(flute, viola, violoncello)

Chikage IMAI : Mare\u2019s tail Lazulite<\/em> (2008\/14)
Rica NARIMOTO : 987 Plates II<\/em> (2013-14)\u3000\u3000
Yumi SAIKI: String Trio<\/em> (2008, JP)
Yumi SAIKI: Episode I<\/em> – pour violon et piano (2009)
Shoryu ITAZU : Tropical Puppets<\/em> (2014,WP)<\/p>\n<\/div>\n\n\n\n

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vol.4\u300c\u30ab\u30bf\u30ed\u30cb\u30a2\u306e\u98a8\u3092\u8a60\u3080\u300d<\/strong>
2015\u5e746\u67086\u65e5\uff08\u571f\uff0915:00
\u30b9\u30bf\u30b8\u30aa\u30fb\u30cf\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

J.M. \u30ae\u30c3\u30b7\u30e5\u300a\u4e8c\u3064\u306e\u4ff3\u53e5\u300b(vln, vc)
M. \u30aa\u30ea\u30a6\u300a\u6210\u3057\u9042\u3052\u3089\u308c\u306a\u3044\u30d7\u30ed\u30d5\u30a1\u30a4\u30eb\u300b(vln, pno)
B. \u30ab\u30b5\u30d6\u30e9\u30f3\u30ab\u30b9\u300a\u5c0e\u5165\u3001\u30ab\u30c7\u30f3\u30c4\u30a1\u3001\u30a2\u30ea\u30a2\u300b(cl, vln, vc, pno)
J.M. \u30ae\u30c3\u30b7\u30e5\u300a\u2026\u305d\u3057\u3066\u98a8\u306e\u633d\u6b4c\u3060\u3051\u3067\u306f\u306a\u304f\u300b(fl)
M. \u30de\u30ed\u30f3\u30c9\u30e9\u300a\u611b\u306e\u5e7e\u4f55\u5b66\u300b(fl\/picc, cl\/b-cl, vln, vc, pno, cond)
R. \u30ac\u30eb\u30b7\u30a2= \u30c8\u30de\u30b9\u300a [\u2026] \u79c1\u306e\u71c3\u3048\u308b\u3088\u3046\u306a\u60c5\u71b1\u3092\u5f7c\u5973\u306b\u793a\u3057\u3066\u304f\u308c\u305f\u306a\u3089 [\u2026]\u2212\u30e2\u30f3\u30c6\u30f4\u30a7\u30eb\u30c7\u30a3\u306e\u300a\u661f\u306b\u5bfe\u3057\u3066\u5f7c\u306f\u6253\u3061\u660e\u3051\u305f\u300b\u306b\u3061\u306a\u3093\u3067\u300b*(vln, vla, vc, cond)

Josep Maria GUIX : Two haikus<\/em> (2014)
Miquel OLIU : L\u2019inabastable perfil <\/em>(2013-14)
Benet CASABLANCAS : Introducci\u00f3, cadenza i \u00e0ria<\/em> (1993)
Josep Maria GUIX : \u2026 i no nom\u00e9s el vent Elegy<\/em> (2012)
Mateu MALONDRA : Geometr\u00eda del Amor <\/em>(2011)
Raquel GARC\u00cdA-TOM\u00c1S : [\u2026] cos\u00ec mostraste a lei i vivi ardore miei [\u2026] After Monteverdi’s Sfogava con le stelle<\/em> (2015,WP)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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vol.5\u300c\u30cb\u30e5\u30fc\u30b8\u30fc\u30e9\u30f3\u30c9\u30fb\u30dd\u30fc\u30c8\u30ec\u30a4\u30c4\u300d<\/strong>
2016\u5e742\u670814\u65e5\uff08\u65e5\uff0915:00
\u30b9\u30bf\u30b8\u30aa\u30fb\u30cf\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

\u30a4\u30f4\u30fb\u30c9\u30fb\u30ab\u30b9\u30c8\u30ed\uff1d\u30ed\u30d3\u30f3\u30bd\u30f3\u300a\u4e0b\u964d\u65cb\u5f8b\u300b(vln, vc)
\u30b8\u30e3\u30c3\u30af\u30fb\u30dc\u30c7\u30a3\u300a\u30a8\u30aa\u30ea\u30a2\u30f3\u30fb\u30cf\u30fc\u30d7\u300b(vln)
\u30de\u30a4\u30b1\u30eb\u30fb\u30ce\u30ea\u30b9\u300a\u30d5\u30a9\u30b9\u30d5\u30a7\u30cb\u300b(vc , pno)
\u30b8\u30e3\u30c3\u30af\u30fb\u30dc\u30c7\u30a3\u300a\u30a8\u30aa\u30ea\u30a2\u30f3\u30fb\u30cf\u30fc\u30d7\u300b(vc)
\u30c7\u30a3\u30e9\u30f3\u30fb\u30e9\u30eb\u30c7\u30ea\u300a\u30e2\u30d3\u30fc\u30eb\u30ba\u300b(fl \u4e39\u4e0b, cl, vln, vc, pno)
\u30b8\u30e3\u30c3\u30af\u30fb\u30dc\u30c7\u30a3\u300a\u30a8\u30aa\u30ea\u30a2\u30f3\u30fb\u30cf\u30fc\u30d7\u300b (vln)
\u30ab\u30eb\u30ed\u30fb\u30de\u30eb\u30b2\u30c6\u30a3\u30c3\u30af\u300a\u30e9\u30a4\u30c8\u30dc\u30c3\u30af\u30b9\u300b(vln, vc , pno)

Eve de Castro-Robinson: Tumbling Strains <\/em>for violin and cello (1992, JP)
Jack Body: Aeorian Harp<\/em> for violin (1979)
Michael Norris: Phospheni<\/em> for cello and piano (2014, JP)
Jack Body: Aeorian Harp<\/em> for violoncello (1999)
Dylan Lardelli: Mobiles<\/em> for flute, clarinet, violin, cello and piano (2011, JP)
Jack Body: Aeorian Harp<\/em> for viola (1999)
Karlo Margetic\u00b4: Lightbox<\/em> for piano trio (2012, JP)<\/p>\n<\/div>\n\n\n\n

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vol.6\u300c\u30a2\u30e1\u30ea\u30ab\u97f3\u697d\u4f1d\u8a18\u7684\u6b74\u53f2\u65c5\u884c\u300d<\/strong>
\uff08\u3042\u3044\u3061\u30c8\u30ea\u30a8\u30f3\u30ca\u30fc\u30ec2016\u821e\u53f0\u82b8\u8853\u516c\u52df\u30d7\u30ed\u30b0\u30e9\u30e0\uff09
2016\u5e749\u670830\u65e5\uff08\u91d1\uff0919:00
\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u30fb\u5c0f\u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u6771\u533a\uff09<\/p>\n\n\n\n

\u30c1\u30e3\u30fc\u30eb\u30ba\u30fb\u30a2\u30a4\u30f4\u30ba\u300a\u30e9\u30eb\u30b4\u300b(cl., vln., pno., elc)
\u30e2\u30fc\u30c8\u30f3\u30fb\u30d5\u30a7\u30eb\u30c9\u30de\u30f3\u300a\u30c7\u30e5\u30ec\u30a4\u30b7\u30e7\u30f3\u30baI\u300b(alto-fl, vln, vc, pno, elc)
\u30af\u30ea\u30b9\u30c8\u30d5\u30a1\u30fc\u30fb\u30c8\u30e9\u30d1\u30cb\u300a\u6708\u5149\u306e\u6b74\u53f2\u300b**(cl, vln, pno, elc)
\u30b8\u30a7\u30a4\u30e0\u30ba\u30fb\u30c6\u30cb\u30fc\u300a\u30cf\u30fc\u30e2\u30cb\u30a6\u30e0#5\u300b(vln, vla, vc, elc)
\u30b8\u30e7\u30fc\u30b8\u30fb\u30af\u30e9\u30e0\u300a\u9be8\u306e\u58f0\u300b(fl., vc, pno, elc)

Charles Ives: Largo<\/em> (1901)
Morton Feldman: Durations I<\/em> (1960)
Christopher Trapani: History by Moonlight<\/em> (2002, JP)
James Tenny: Harmonium #5<\/em> (1978)
George Crumb: Vox Balaenae<\/em> (1971)<\/p>\n<\/div>\n\n\n\n

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vol.7\u300c\u30e8\u30fc\u30ed\u30c3\u30d1\u306e\u6771\u7aef\u3067\u300d<\/strong>
\uff08\u30c8\u30eb\u30b3\u30fb\u30d7\u30ed\u30b8\u30a7\u30af\u30c82018\uff09
2018\u5e742\u670823\u65e5\uff08\u91d1\uff0919:00
HITOMI \u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

\u30e1\u30d5\u30e1\u30c3\u30c8\u30fb\u30cd\u30e0\u30c8\u30a5\u30eb \u300a\u30ca\u30eb\u30d0\u30f3\u30c7\u30a3\u30e0\u300b(cl, pno) \u30a2\u30cf\u30e1\u30c3\u30c8\u30fb\u30a2\u30eb\u30c6\u30a3\u30cd\u30eb \u300a\u3075\u305f\u305f\u3073\u300b(fl, cl, vc, pno)
\u30a4\u30eb\u30ad\u30e0\u30fb\u30c8\u30f3\u30b0\u30fc\u30eb \u300a\u30d8\u30a4\u30ba\u3068\u30ab\u30aa\u30b9\u300b(fl\/a-fl , cl\/b-cl, vln\/vla, vc, pno)
\u30a8\u30e0\u30ec\u30fb\u30c9\u30a5\u30f3\u30c0\u30fc\u30eb \u300a\u6ce3\u304d\u5973\u300b(fl)
\u30a8\u30ba\u30ab\u30f3\u30fb\u30de\u30ca\u30f4 \u300a\u30eb\u30fc\u30c9\u30a5\u30b9\u30fb\u30e2\u30c0\u30ea\u30b9\u300b*(vln, vc, pno)
\u30c8\u30eb\u30ac\u30fb\u30e4\u30e4\u30e9\u30fc\u30eb \u300a\u898b\u6368\u3066\u3089\u308c\u305f\u6b74\u53f2\u8003\u53e4\u5b66\u300b(fl\/a-fl, b-cl, vln, vla, vc, pno, cond)

Mehmet Nemutlu: Nalbandim<\/em> (2000, JP)
Ahmet Altinel: Yine \u015eimdi<\/em> (2004, JP)
lkim Tongur: Haze and Chaos<\/em> (2012, JP)
Emre D\u00fcndar: La Llorona <\/em>(2017, JP)
\u00d6zkan Manav: Ludus Modalis<\/em> (2016, JP)
Tolga Yayalar: Archaeologies (of Forsaken Histories) <\/em>(2018, WP)<\/p>\n<\/div>\n\n\n\n

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vol.8 \u300c\u30c8\u30eb\u30b3\u73fe\u4ee3\u97f3\u697d\u306e\u7cfb\u8b5c\u300d<\/strong>
\uff08\u30c8\u30eb\u30b3\u30fb\u30d7\u30ed\u30b8\u30a7\u30af\u30c82019\uff09
2019\u5e742\u67089\u65e5\uff08\u571f\uff0914:00
\u30b9\u30bf\u30b8\u30aa\u30fb\u30cf\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

\u30cd\u30b8\u30eb\u30fb\u30ad\u30e3\u30fc\u30ba\u30e0\u30fb\u30a2\u30af\u30bb\u30b9\u300a\u5f26\u697d\u30c8\u30ea\u30aa\u300b\u3088\u308a\u7b2c\u4e09\u697d\u7ae0Adagio(vln, vla, vc)
\u30a2\u30cf\u30e1\u30c3\u30c8\u30fb\u30a2\u30c9\u30ca\u30f3\u30fb\u30b5\u30a4\u30b0\u30f3 \u300a\u7d44\u66f2\u300b\u4f5c\u54c133(vln, pno)
1. \u30d7\u30ec\u30ea\u30e5\u30fc\u30c9Prel\u00fcd, lento
2. \u30db\u30ed\u30f3Horon, vivo
3. \u91cd\u3005\u3057\u3044\u30bc\u30a4\u30d9\u30af\uff08\u91cd\u3044\u52d5\u304d\u3067\uff09A\u011f\u0131r Zeybek, \u00e7ok a\u011f\u0131r
4. \u30ab\u30b9\u30bf\u30e2\u30cc\u306e\u821e\u66f2Sepe\u00e7io\u011flu (Kastamonian Dance)
\u30e1\u30d5\u30e1\u30c3\u30c8\u30fb\u30cd\u30e0\u30c8\u30a5\u30eb \u300a\u30a2\u30a4\u30eb\u30eb\u30c3\u30af\u30c1\u30a7\u30b7\u30e5\u30e1\u300b*(vln, vc, pno) \u30a2\u30eb\u30c8\u30a5\u30f3\u30fb\u30c1\u30a7\u30b1\u30e0 \u300a\u8056\u306a\u308b\u8b0e\u306e\u6f0f\u6d29\u300b(vln, vc, pno, cond)

Necil Kaz\u0131m Akses : 3rd movement Adagio from \u201cTrio\u201d <\/em>(1945)
Ahmet Adnan Saygun : \u201cDemet\u201d Suite<\/em> for violin and piano Op.33 (1965)
1. Prel\u00fcd, lento
2. Horon, vivo
3. A\u011f\u0131r Zeybek, \u00e7ok a\u011f\u0131r
4. Sepe\u00e7io\u011flu (Kastamonian Dance)
Mehmet Nemutlu : Ayr\u0131l\u0131k\u00e7e\u015fme<\/em> (2015, JP)
Artun \u00c7ekem : Leaked Tape from the Sacred Mysteries<\/em> (2018, WP)<\/p>\n<\/div>\n\n\n\n

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vol.9\u300c\u96c6\u4e2d\u97f3\u697d\uff5e5\u5206\u4ee5\u5185\u306e\u5c0f\u5b87\u5b99\u300d<\/strong>
2020\u5e742\u67088\u65e5\uff08\u571f\uff0915:30
HITOMI \u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

G. \u30da\u30bd\u30f3\u300a\u4eba\u751f\u306f\u30af\u30ea\u30b9\u30de\u30b9\u30c4\u30ea\u30fc\u306e\u3088\u3046\u306a\u3082\u306e\u300b(vn, pf)
M. \u30e9\u30d4\u30c0\u30ad\u30b9\u300a\u65e5\u8a18\uff1a\u30a8\u30f3\u30c8\u30ea\u30fcII – 60:30+5(\u30dd\u30ea\u30c9\u30fc\u30eb\u306e\u305f\u3081\u306e\u5b50\u5b88\u6b4c)\u300b(fl, vc, pf) P. \u30a2\u30eb\u30e1\u30a4\u30c0\u300a\u98db\u7fd4\u300b(fl, cl, vn, vc, pf, cond)
J. \u30b7\u30a7\u30eb\u30db\u30eb\u30f3\u300a\u30b7\u30e3\u30f3\u30bd\u30f3\uff5e\u30a8\u30eb\u30f3\u30b9\u30c8\u30fb\u30e4\u30f3\u30c9\u30eb\u3068\u306e\u611b\u306e\u6b4c\u300b(cl, vn, vla, vc) A. \u30af\u30ec\u30e1\u30f3\u30c6\u30a3\u300a\u4e09\u3064\u306e\u5c0f\u54c1\u300b(fl, ob, cl) E. \u30dd\u30c3\u30da\u300a\u30b7\u30e5\u30f4\u30a1\u30a4\u30b9\u300b(bass-fl, bass-cl, vn, vla, vc)
G. \u30da\u30bd\u30f3\u300a\u6563\u3089\u304b\u3063\u3066\u3066\u3059\u307f\u307e\u305b\u3093\u300b(pf)
M.A. \u30bf\u30cd\u30b8\u300a\u30b5\u30e9\u30d0\u30f3\u30c9\u300b(s-sax, pf)
M. \u30a2\u30f3\u30c9\u30ec\u300aiv 9\u300b(bass-fl, eng-hr, bass-cl) A. \u30a2\u30eb\u30af\u30b7\u30ca\u300a\u5439\u304d\u3064\u3051\u300b(fl, ob, cl, vn, vc, cond)
J.M. \u30cf\u30a6\u30a2\u30fc\u300a\u5341\u4e8c\u97f3\u306e\u622f\u308c(2. September 1956)\u300b(vn, pf)
I. \u30af\u30bb\u30ca\u30ad\u30b9\u300a\u30ab\u30ea\u30b9\u30de\u300b(a-sax, vc)
S. \u30af\u30e9\u30fc\u30ec\u30f3\u300a M.B.R.M.M.P.P.\u300b**(fl, ob, cl, vn, vla, vc, pf, perc, cond)

G\u00e9rard Pesson : La vita \u00e8 come l’albero di Natale<\/em> (1992)
Michalis Lapidakis : Diary: Entry II – 60:30+5 (Berceuze pour Polydor)<\/em> (2007)
Patr\u00edcia Sucena de Almeida : Sublime volans<\/em> (2010)
Johannes Sch\u00f6llhorn : Chanson – Ein Liebeslied mit Ernst Jandl <\/em>(2010)
Aldo Clementi : Tre Piccoli Pezzi<\/em> (1995)
Enno Poppe : Schwei\u00df<\/em> (2010)
G\u00e9rard Pesson : Excuse my dust <\/em>(2009)
Mark=Anthony Turnage : Sarabande<\/em> (1985)
Mark Andre : iv 9<\/em> (2010)
Anna Arkushyna : Spraying<\/em> (2012)
Josef Matthias Hauer : Zw\u00f6lftonspiel (2. September 1956)<\/em> (1956)
Ianiss Xenakis : Charisma<\/em> (1971)
Sebastian Claren : M.B.R.M.M.P.P.<\/em> (2010)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\n
\n

Vol.10\u300c\u546a\u8853\u7684\u601d\u8003\uff5e\u30de\u30b8\u30ab\u30eb\u30fb\u30b7\u30f3\u30ad\u30f3\u30b0\u300d<\/strong>
2021\u5e7412\u670815\u65e5\uff08\u6c34\uff0919:00
\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u30fb\u5c0f\u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u6771\u533a\uff09<\/p>\n\n\n\n

\u30c6\u30a3\u30a8\u30ea\u30fc\u00b7 \u30a8\u30b9\u30b1\u30b7\u30e5\u300a\u6697\u95c7\u306e\u6b4c\u300b** (s-sax, pno)
\u30d5\u30ec\u30fc\u30c9\u30ea\u30af\u00b7 \u30d8\u30fc\u30c7\u30ea\u30fc\u30f3\u300aAkt\u300b*** (vln, vla, vc)
\u30a2\u30f3\u30c9\u30ec\u30fb\u30b8\u30e7\u30ea\u30f4\u30a7\u300a\u30ea\u30ce\u30b9\u306e\u6b4c\u300b ( fl, pno)
\u30af\u30ed\u30fc\u30c9\u00b7 \u30f4\u30a3\u30f4\u30a3\u30a8\u300a\u30d1\u30e9\u30df\u30e9\u30dc\u300b (fl, vln, vc, pno)
\u5c71\u672c\u88d5\u4e4b\u300a\u5883\u754c\u300b* (a-sax, b-cl)
\u30a2\u30f3\u30c9\u30ec\u30fb\u30b8\u30e7\u30ea\u30f4\u30a7\u300a\u30ea\u30ce\u30b9\u306e\u6b4c\u300b ( fl, vln, vla, vc, hp)

Thierry Escaich : Chant des T\u00e9n\u00e8bres<\/em> (1992)
Fredrik Hedelin : Akt<\/em> (2003\/21)
Andr\u00e9 Jolivet : Chant de Linos<\/em> (1944 version for duo)
Claude Vivier : Paramirabo <\/em>(1978)
Hiroyuki Yamamoto : Boundary<\/em> (2021)
Andr\u00e9 Jolivet : Chant de Linos<\/em> (1945 version for ensemble)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Vol.11\u300c\u30c8\u30fc\u30ab\u30a4\u30fb\u30b5\u30c3\u30ad\u30e7\u30af\u30ab\uff01#2\u300d<\/strong>
2023\u5e742\u670823\u65e5\uff08\u6728\u30fb\u795d\uff0916:00
\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u30fb\u5c0f\u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u6771\u533a\uff09<\/p>\n\n\n\n

\u6238\u5cf6\u7f8e\u559c\u592b\uff1a\u30a2\u30f3\u30f4\u30a1\u30f3\u30b7\u30aa\u30f3\u30fb\u30bd\u30ce\u30fc\u30ebII\uff0d\u5f26\u697d\u56db\u91cd\u594f\u306e\u305f\u3081\u306e\uff081971\uff09
\u6238\u5cf6\u7f8e\u559c\u592b\uff1a\u30a2\u30f3\u30f4\u30a1\u30f3\u30b7\u30aa\u30f3\u30fb\u30bd\u30ce\u30fc\u30ebVI\uff0d\u5897\u5dfe\u5668\u3068\u30a8\u30b3\u30fc\u30de\u30b7\u30f3\u3092\u3068\u3082\u306a\u3063\u305f\u30c1\u30a7\u30ed\u306e\u305f\u3081\u306e (vc, elc)
\u6238\u5cf6\u7f8e\u559c\u592b\uff1a\u76c6\u306a\u3089\u3055\u307e\u3088(vln, pno)
\u5742\u7530\u76f4\u6a39\uff1a\u30ab\u30f3\u30c7\u30e9II*\uff08\u65b0\u4f5c\u521d\u6f14<\/mark>\uff09(s-sax)
\u5c0f\u6797\u8061\u7f85\uff1a\u30ab\u30f3\u30b7\u30aa\u30f3 (vla, pno)
\u4e39\u7fbd\u83dc\u6708\uff1a\u8131\u81fc\u7684\u89e3\u6c7aII\uff082020\uff09(vln, vla, pno)

Mikio Tojima : Invention Sonore VI<\/em> (1974)
Mikio Tojima : Bonnarasamayo<\/em> (2004)
Naoki Sakata : Candela II<\/em> (2020, WP)
Akira Kobayashi : Canci\u00f3n <\/em>(1994)
Natsuki Niwa : Dislocated Resolutions \u2161<\/em> (2020)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Vol.12\u300c\u5bfe\u4f4d\u6cd5\u306f\u5909\u5bb9\u3059\u308b\u300d<\/strong>
2024\u5e741\u67088\u65e5\uff08\u6708\u30fb\u795d\uff0914:00
HITOMI \u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09<\/p>\n\n\n\n

G.\u30d1\u30ec\u30b9\u30c8\u30ea\u30fc\u30ca\uff08\u5c0f\u6afb\u79c0\u6a39\u7de8\uff09
\u6559\u7687\u30de\u30eb\u30c1\u30a7\u30eb\u30b9\u306e\u30df\u30b5\u66f2\u3088\u308a\u300e\u30ad\u30ea\u30a8\u300f* (melodica, cl, s-sax, vla, vc, pno)
S.\u30b8\u30a7\u30eb\u30f4\u30a1\u30be\u30fc\u30cb 2\u3064\u306e\u58f0 (fl, vln)
A.\u30f4\u30a7\u30fc\u30d9\u30eb\u30f3 \u56db\u91cd\u594f\u66f2 \u4f5c\u54c122 (cl, t-sax, vln, pno)
D.\u30b8\u30a3\u30f4\u30b3\u30f4\u30a3\u30c3\u30c1 \u591c\u306e\u97f3\u697d** (fl, cl, vn, vc, pno)
J.\u30c6\u30a3\u30a8\u30f3\u30b9\u30fc \u30eb\u30d0\u30fc\u30c8 (ver. musica qulacoza)
F.\u30b9\u30f4\u30a7\u30f3\u30bd\u30f3 \u3053\u3060\u308f\u308a\u306e5\u3064\u306e\u697d\u7ae0** (melodica, 2 vln, vla, vc, toy-pno)

Giovanni Pierluigi da Palestrina \/ Hideki Kozakura : \u201cKyrie\u201d from Missa Papae Marcelli<\/em> (16c)
Stefano Gervasoni : Due Voci<\/em> (1991)
Anton Webern : Quartet<\/em> op.22 (1930)
\u0110juro \u017divkovi\u0107 : Night Music<\/em> (2014)
Jukka Tiensuu : Rubato<\/em> for any ensemble (1975)
Fabian Svensson : Five Obsessive Movements<\/em> (2022)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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Vol.13\u300c\u3086\u304c\u3080\u5171\u632f\u30fb\u30a2\u30ca\u30bb\u30f3\u306e\u8996\u3048\u308b\u30aa\u30f3\u30ac\u30af\u300d<\/strong>
2025\u5e742\u670824\u65e5\uff08\u6708\u30fb\u795d\uff0916:00
\u611b\u77e5\u770c\u82b8\u8853\u5287\u5834\u30fb\u5c0f\u30db\u30fc\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u6771\u533a\uff09<\/p>\n\n\n\n

\u96a3\u306e\u305d\u3070\u306e\u305d\u306e\u5411\u3053\u3046
\u3000#0 (vc)
\u3000#2+#5 (sax, picc)
\u3000#5+#6+#7 (picc, vln, pno)
\u3000#0+#2+#6+#7 (vc, sax, vln, pno)
\u5f26\u697d\u5668\u306e\u305f\u3081\u306e\u7fd2\u4f5c 2007-11
\u3000#1 (vln, vla)
\u3000#2 (vln)
\u3000#3 (vc, video)
\u30a8\u30c1\u30e5\u30fc\u30c9No.1 (pno)
\u5b9f\u73fe\u3078\u306e\u967a\u3057\u304d\u9053 (2 perform)

NEXT TO BESIDE BESIDES (2003-6)
\u3000#0
\u3000#2+#5
\u3000#5+#6+#7
\u3000#0+#2+#6+#7
Studies for String Instrument (2007-11)
\u3000#1
\u3000#2
\u3000#3
Etude No.1 (1999)
Difficulties Putting It into Practice (2007\/14)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Extra Concerts<\/h4>\n\n\n\n
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\n

2014\u5e749\u670816\u65e5\uff08\u91d1\uff0919:00
\u300c\u97f3\u697d\u30af\u30e9\u30b3\u5ea7 \u6625\u65e5\u4e95\u65cb\u98a8\uff01\u300d<\/strong><\/a>\uff08\u7b2c176\u56de\u591c\u30b3\u30f3\uff09
\u6587\u5316\u30d5\u30a9\u30fc\u30e9\u30e0\u6625\u65e5\u4e95\u30fb\u4ea4\u6d41\u30a2\u30c8\u30ea\u30a6\u30e0<\/p>\n\n\n\n

C. \u30c9\u30d3\u30e5\u30c3\u30b7\u30fc\uff08\u5c0f\u6afb\u79c0\u6a39\u7de8\uff09\u300a\u7267\u795e\u306e\u5348\u5f8c\u3078\u306e\u524d\u594f\u66f2\u300b
I. \u30af\u30bb\u30ca\u30ad\u30b9\u300a\u30c7\u30a3\u30d7\u30ea\u30fb\u30b8\u30fc\u30a2\u300b
S. \u30b8\u30a7\u30eb\u30f4\u30a1\u30be\u30fc\u30cb\u300a\u4e8c\u3064\u306e\u58f0\u300b
N. \u30ab\u30b9\u30c6\u30a3\u30ea\u30aa\u30fc\u30cb\u300a\u300c\u7f8e\u3057\u3044\u30f4\u30a7\u30ec\u30fc\u30ca\u300d\u306e\u305f\u3081\u306e11 \u306e\u821e\u66f2\u300b
\u677f\u6d25\u6607\u9f8d\u300a\u30c8\u30ed\u30d4\u30ab\u30eb\u4eba\u5f62\u5287\u300b

Claude.Debussy (arr. H. Kozakura) : Pr\u00e9lude \u00e0 l’apr\u00e8s-midi d’un faune<\/em>
Iannis Xenakis : Dhipli Zyia<\/em>
Stefano Gervasoni : Due voci<\/em>
Niccol\u00f2 Castiglioni : Undici Danze per la Bella Verena<\/em>
Shoryu Itazu : Tropical Puppets<\/em><\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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2015\u5e749\u670827\u65e5\uff08\u65e5\uff0914:00
\u300c\u97f3\u697d\u30af\u30e9\u30b3\u5ea7 \u4eca\u69d8\u97f3\u697d\u65c5\u884c\u300d<\/strong>
\u591a\u6cbb\u898b\u5e02\u7b20\u539f\u4e2d\u592e\u516c\u6c11\u9928\u3000Azalea Hall<\/p>\n\n\n\n

\u6b66\u6e80\u5fb9\u300a\u5de1\u308a\uff0d\u30a4\u30b5\u30e0\u30fb\u30ce\u30b0\u30c1\u306e\u8ffd\u61b6\u306b\uff0d\u300b(fl)
N. \u30ab\u30b9\u30c6\u30a3\u30ea\u30aa\u30fc\u30cb\u300a\u300c \u7f8e\u3057\u3044\u30f4\u30a7\u30ec\u30fc\u30ca\u300d\u306e\u305f\u3081\u306e11\u306e\u821e\u66f2\u300b(vn, pno)
J.M. \u30ae\u30c3\u30b7\u30e5\u300a3\u3064\u306e\u4ff3\u53e5\u300b(vc, pno)
P. \u30dc\u30e9\u30c9\u30fc\u30ea\u300a\u30a8\u30c1\u30e5\u30fc\u30c9I \u30fb\u7121\u69cb\u9020\u5316\u3055\u308c\u305f\u30b9\u30b1\u30eb\u30c4\u30a9\u300b(pno)
\uff29. \u30af\u30bb\u30ca\u30ad\u30b9\u300a\u30c7\u30a3\u30d7\u30ea\u30fb\u30b8\u30fc\u30a2\u300b(vn, vc)
M. \u30aa\u30ea\u30a6\u300a\u6210\u3057\u9042\u3052\u3089\u308c\u306a\u3044\u30d7\u30ed\u30d5\u30a1\u30a4\u30eb\u300b(vn, pno)
\u6210\u672c\u7406\u9999\u300a987 Plates III\u300b(fl, pno)
C. \u30b5\u30f3= \u30b5\u30fc\u30f3\u30b9\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u767d\u9ce5\u300b(fl, vn, vc, pno)
E. \u30a8\u30eb\u30ac\u30fc\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u611b\u306e\u6328\u62f6\u300b(fl, vn, vc, pno)

Toru Takemitsu : Itinerant : in memory of Isamu Noguchi<\/em> (1989)
Niccolo Castiglioni : Undici danze per la bella Verena<\/em> (1996)
Josep Maria Guix : Tres Haikus<\/em> (2009)
Pietro Borradori : Etude I Scherzo d\u00e9structur\u00e9<\/em> (20??)
Iannis Xenakis : Dhipli Zyia<\/em> (1951)
Miquel Oliu : L\u2019inabastable perfil <\/em>(2013-14)
Rica Narimoto : 987 Plates III<\/em> (2014-15)
Charles Camille Saint-Sa\u00ebns (arr. by Hiroyuki Yamamoto) : Le cygne<\/em> (2015, WP)
Edward William Elgar (arr. by Hiroyuki Yamamoto) : Salut d’amour <\/em>(2015, WP)<\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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2017\u5e749\u67082\u65e5\uff08\u571f\uff0913:30
\u300c\u4f5c\u66f2\u5bb6\u305f\u3061\u306e\u8535\u51fa\u3057\u97f3\u697d\u4f1a\u300d<\/strong>
\u540d\u53e4\u5c4b\u5e02\u4e2d\u5ddd\u6587\u5316\u5c0f\u5287\u5834<\/p>\n\n\n\n

\u30b8\u30e3\u30c3\u30af\u30fb\u30dc\u30c7\u30a3\u300a\u30a8\u30aa\u30ea\u30a2\u30f3\u30fb\u30cf\u30fc\u30d7\u300b(vn)
\u30b8\u30e3\u30c3\u30af\u30fb\u30dc\u30c7\u30a3\u300a\u30a8\u30aa\u30ea\u30a2\u30f3\u30fb\u30cf\u30fc\u30d7\u300b(vc)
J.M. \u30ae\u30c3\u30b7\u30e5\u300a3\u3064\u306e\u4ff3\u53e5\u300b(vc, pno)
\u30e8\u30cf\u30f3\u30fb\u30b7\u30e5\u30c8\u30e9\u30a6\u30b9\u4e8c\u4e16\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u96f7\u9cf4\u3068\u7a32\u59bb\u300b(fl, cl, vn, vc)
\u30e8\u30cf\u30f3\u30fb\u30b7\u30e5\u30c8\u30e9\u30a6\u30b9\u4e8c\u4e16\uff06\u30e8\u30fc\u30bc\u30d5\u30fb\u30b7\u30e5\u30c8\u30e9\u30a6\u30b9\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u30d4\u30c1\u30ab\u30fc\u30c8\u30fb\u30dd\u30eb\u30ab\u300b(fl, cl, vn, vc)
\u30e8\u30cf\u30f3\u30fb\u30b7\u30e5\u30c8\u30e9\u30a6\u30b9\u4e8c\u4e16\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u30a2\u30f3\u30cd\u30f3\u30fb\u30dd\u30eb\u30ab\u300b

Jack Body: Aeorian Harp<\/em> for violin (1979)
Jack Body: Aeorian Harp<\/em> for violoncello (1999)
Josep Maria Guix : \u2026 i no nom\u00e9s el vent<\/em> (2012)
Johann Strauss II. (arr. by Hiroyuki Yamamoto) : Unter Donner und Blitz<\/em>
Johann Strauss II. & Josef Strauss (arr. by Hiroyuki Yamamoto)\uff1aPizzicato Polka<\/em>
Johann Strauss II. (arr. by Hiroyuki Yamamoto) : Annen Polka<\/em><\/p>\n<\/div>\n\n\n\n

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\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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2019 \u5e749 \u670826 \u65e5\uff08\u6728\uff0919:00
\u97f3\u697d\u30af\u30e9\u30b3\u5ea7\u300c\u65b0\u3057\u3044\u97f3\u697d\u306e\u6249\u3092\u958b\u3053\u3046\uff01\u300d<\/a><\/strong>
\u30af\u30e9\u30e9\u30b6\u30fc\u30eb\u3058\u3085\u3046\u308d\u304f\u97f3\u697d\u5802\uff08\u5c90\u961c\u5e02\uff09<\/p>\n\n\n\n

\u30e8\u30cf\u30f3\u30fb\u30b7\u30e5\u30c8\u30e9\u30a6\u30b9\u4e8c\u4e16\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u96f7\u9cf4\u3068\u7a32\u59bb\u300b(fl, cl, vn, vc)
E. \u30a8\u30eb\u30ac\u30fc\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u611b\u306e\u6328\u62f6\u300b(fl, vn, vc, pno)
C. \u30b5\u30f3= \u30b5\u30fc\u30f3\u30b9\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u767d\u9ce5\u300b(fl, vn, vc, pno)
\uff2d. \u30e0\u30bd\u30eb\u30b0\u30b9\u30ad\u30fc\uff08\u5c71\u672c\u88d5\u4e4b\u7de8\uff09\u300a\u5c55\u89a7\u4f1a\u306e\u7d75\u300b\u3088\u308a\u3008\u30d7\u30ed\u30e0\u30ca\u30fc\u30c9\u3009(fl, cl, vn, vc, pno)
\u30a8\u30ba\u30ab\u30f3\u30fb\u30de\u30ca\u30f4 \u300a\u30eb\u30fc\u30c9\u30a5\u30b9\u30fb\u30e2\u30c0\u30ea\u30b9\u300b(vln, vc, pno)

Johann Strauss II. (arr. by Hiroyuki Yamamoto) : Unter Donner und Blitz<\/em>
Edward William Elgar (arr. by Hiroyuki Yamamoto) : Salut d’amour <\/em>(2015)
Charles Camille Saint-Sa\u00ebns (arr. by Hiroyuki Yamamoto) : Le cygne<\/em> (2015)
Modest Petrovich Mussorgsky : Promnade from Tableaux d’une exposition<\/em> (2019, WP)
\u00d6zkan Manav: Ludus Modalis<\/em> (2016)<\/p>\n<\/div>\n\n\n\n

\n
\"\"<\/figure>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

*\u4e16\u754c\u521d\u6f14**\u65e5\u672c\u521d\u6f14***\u6539\u8a02\u521d\u6f14 Regular Concerts vol.12013\u5e742\u670823\u65e516:00\u30b9\u30bf\u30b8\u30aa\u30fb\u30cf\u30eb\uff08\u540d\u53e4\u5c4b\u5e02\u5343\u7a2e\u533a\uff09 N. \u30ab\u30b9\u30c6\u30a3\u30ea\u30aa\u30fc\u30cb\u300a\u300c \u7f8e\u3057\u3044\u30f4\u30a7\u30ec\u30fc\u30ca\u300d\u306e\u305f\u3081\u306e 11 \u306e\u821e\u66f2\u300b(v … <\/p>\n

\u7d9a\u304d\u3092\u8aad\u3080 “Archive”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"inspiro_hide_title":false,"footnotes":""},"class_list":["post-100","page","type-page","status-publish","hentry"],"featured_media_urls":[],"_links":{"self":[{"href":"https:\/\/qulacoza.net\/index.php?rest_route=\/wp\/v2\/pages\/100","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qulacoza.net\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/qulacoza.net\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/qulacoza.net\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/qulacoza.net\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=100"}],"version-history":[{"count":6,"href":"https:\/\/qulacoza.net\/index.php?rest_route=\/wp\/v2\/pages\/100\/revisions"}],"predecessor-version":[{"id":449,"href":"https:\/\/qulacoza.net\/index.php?rest_route=\/wp\/v2\/pages\/100\/revisions\/449"}],"wp:attachment":[{"href":"https:\/\/qulacoza.net\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=100"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}